It's the end of the school year. The long-awaited holidays have finally arrived. Little Nicholas, his parents and Granny hit the road heading for the sea, and move into the Beau-Rivage Hotel. At the beach, Nicholas wastes little time making new friends: there's Ben, who isn't on holiday because he lives here; Freddy, who eats anything, all the time... Even fish... raw. There's George, who talks funny because he's English, Paul the constant crybaby and Christopher, who always wants to be right and is really, really annoying. Nicholas also gets to know Elizabeth, a little girl who follows him everywhere, wide-eyed. "How sweet, those two. I hear wedding bells in the future," laugh the grown-ups. Nicholas panics! Luckily his pals are there to help him... and to cause trouble. Between the beach, the hotel and the forest, with his friends, his family, the beach attendant and the swimming coach, Nicholas is really going to enjoy a holiday to remember.
With millions of books sold and his first big screen debut a worldwide hit, Little Nicholas returns to enchant kids and adults alike in a new adventure adapted from the third book of Goscinny and Sempé's classic series.
Nicholas on Holiday Les vacances du petit Nicolas
What's On
Sentimental Value Affeksjonsverdi
Joachim Trier
Tuesday, 20. 01. 2026 / 16:15 / Main Hall
After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.
The Voice of Hind Rajab Sawt Hind Rajab
Kaouther Ben Hania
Tuesday, 20. 01. 2026 / 19:00 / Main Hall
A harrowing reconstruction of the attempted rescue of a Palestinian girl, intertwining real emergency call recordings with dramatised scenes in a call centre. Winner of the Grand Jury Prize in Venice and nominated for a Golden Globe for Best Non-English Language Film.
Fiume o morte! Fiume o morte!
Igor Bezinović
Tuesday, 20. 01. 2026 / 19:45 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.