Kafana na Balkanu / Balkan, Baby / Kafana na Balkanu
Boris Gavrilović, Nemčija, 2023, 19′
Martina je zgledna priseljenka oziroma se je vedno trudila, da bi jo v Nemčiji kot tako dojemali. Ko pa med krajšim oddihom ob jezeru Starnberg spozna mlado Dunjo, se je prisiljena soočiti z delom identitete, ki jo je celo življenje skušala potlačiti.
Živeti v divjem morju / To Live In a Wild Sea / Vivir en un mar bravo
Guillermo F. Flórez, Španija, 2023, 24′
Carmen se je rodila leta 1935. Kot otrok je videla, kako so odvedli njeno družino. Po 14 letih življenja v samostanu, so jo iz njega izključili. Obljubila si je, da bo njeno življenje le njeno. Danes je stara 86 in sprejema odločitev: vzela si bo življenje.
Carmen was born in 1935. As a child, she watched how they took members of her family away. After 14 years as a cloistered nun, she managed to get expelled from it. She promised herself to own her life. Today, she is 86 years old, and she is going to make a decision: to commit suicide.
Hvala za potrpljenje! / Thank You For Your Patience! / Merci pour votre patience!
Simon van der Zande, Belgija/Nizozemska, 2022, 17′
Statični kader prikazuje napeto avtobusno vožnjo po Bruslju, med katero kongovski priseljenec Samuel izrazi svoje nezadovoljstvo z Evropo.
From a fixed point of view, we witness a tense bus ride in Brussels, when Samuel – a Congolese immigrant – gets on to voice his discontent with Europe.
Motherless Child / Motherless Child / Motherless Child
Sophie Maréchal, Belgija/Francija, 2023, 14′
Tridesetletna Barbara je tipičen primer moderne ženske: samsko, delovno dekle s hitrim tempom življenja, odvisno od svojega pametnega telefona. Vendar bo rutino kmalu prekinil skrivnostni balon, ki bo, kot poslan z neba, priplaval v njeno življenje.
Barbara, a 30-year-old single female, is the typical example of a modern woman, a ‘working girl’, living in a fast lane, completely hooked on her smartphone. However, her routine is about to change as a mysterious balloon, seemingly sent from the sky, floats into her life.