The Box Office is open from 10:00 till 21:30 (closed for today).
Animateka 2019

Competition Programme I (2019) Tekmovalni program I (2019)

various / 75 min

Sweetie Pie
Claudia Röthlin, Yves Gutjahr (Tiny Giant Animation)
Switzerland, 2018, 2'15"

Sweetie Pie is the first dog ever competing for Olympic gold in ski jumping. Can he withstand the pressure?

Orpheus
Priit Tender (Eesti Joonisfilm)
Estonia, 2019, 12'45"

Orpheus can enchant everyone with his music, including animals and plants. His song can even rescue his beloved Eurydice from the underworld. But there is one condition – until Orpheus reaches the land of the living, he must not turn around to see if his love is truly following him.

Story
Jolanta Bańkowska (Munk Studio – Polish Filmmakers Association/Letko)
Poland, 2019, 4'45"

In the age of omnipresent technology, where the virtual sinks into reality, a young girl observes the world via a social media platform.

The Flood is Coming
Gabriel Böhmer (Rational Vagabund)
Switzerland, UK, 2018, 9'03"

A forest hermit tries to prepare for a flood, but he becomes distracted by his noisy neighbour – who happens to be the hermit's left eye. What follows is a meditation on worry, and the potential consequences of obsession. The Flood is Coming explores the growing anxiety about the state of nature, and our place in it.

Dež / Deszcz / Rain
Piotr Milczarek (Fumi Studio)
Poland, 2019, 5'

Rain is a simple animated film on collective consciousness. It talks about how no accountability for our actions pushes us to thoughtlessly follow the crowd, which may lead to a tragedy. The film also depicts the struggle of an individual with collective hypnosis and its consequences for both the individual and the crowd.

Mačka je uvijek ženska / A Cat Is Always Female
Martina Meštrović, Tanja Vujasinović (Kreativni sindikat)
Croatia, 2019, 15'43"

Through a feminist lens, the filmmakers pay homage to their professor Marija Ujevic Galetovic – one of Croatia’s most important sculptors. Marija's life story and views are told through a combination of video footage and animation of her feminine sculptures.

Motivi / Themes
Danijel Žeželj (Zagreb Film)
Croatia, 2019, 6'30"

An animated journey through a series of art themes accompanied by encyclopaedic definitions. The seemingly educational presentation of Western figurative painting is actually a visual and aural sequence of fleeing war and trying to enter Europe. A journey through the humanist tradition of European painting clashes with the real tragedy of current-day emigration.

Toomas teispool metsikute huntide orgu / Toomas Beneath the Valley of the Wild Wolves
Chintis Lundgren (Chintis Lundgreni Animatsioonstuudio/Adriatic Animation/Miyu Productions)
Estonia, Croatia, France, 2019, 18'

After losing a well-paid engineering job, Toomas, a young hot wolf, gets cornered into working as a gigolo to support his family. He is keeping it a secret from his pregnant wife Viivi. Viivi also has a secret: she is attending a female empowerment seminar involving male slaves. When Toomas gets a role in a sexploitation movie, it becomes harder to keep his new profession a secret.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Stealing Land Zemljo krast

Žiga Virc

Monday, 20. 04. 2026 / 16:20 / Main Hall

When a children’s game sparks political debates at the dinner table, an evening of absurd conflicts, low blows, and unexpected confrontations begins… This feature-length film is a sparkling, witty social satire in which parents fight not only for a better future for their children, but also for their own egos.

Ten Skies Ten Skies

James Benning

Monday, 20. 04. 2026 / 18:00 / Main Hall

“I’m thinking of my landscape works now as anti-war artworks—they’re about the antithesis of war, the kind of beauty we’re destroying. The Ten Skies works came about because I’m thinking about what the opposite of war is” – James Benning

Last Screening

No Other Choice Eojjeol suga eopda

Park Chan-wook

Monday, 20. 04. 2026 / 20:15 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.