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4. Kinotrip

Kinotripie – A Short Film Programme (2019) Kinotripčič – program kratkih filmov (2019)

razno / various / 86 min / Slovene subtitles, English, Finnish, Macedonian

Let film take you on, from, among, behind, to, with, along, under and near the bizarre!?

This year’s Kinotripie brings diverse, multi-layered and multi-award-winning short films that break taboos and open the neglected topics related to family, race and sexuality. The programme that will take us from a very short humoristic and bizarre Finnish film and a surprising animated fable about a fox love triangle to the more serious topics such as family violence or racism is simply worth seeing without any further discussion.

Programme:

Mishko, Hanis Bagashov, Macedonia, 2018, 16 min
Followed by a talk with the films' director!

Nursery Rhymes, Tom Noakes, Australia, 2018, 5 min

Jackrabbit, Alex Feggans, Australia, 2018, 9 min

The Boogeywoman, Erica Scoggins, USA, 2018, 17 min

Skin, Guy Nattiv, USA, 2018, 20 min
This year’s Oscar for best short film!

Manivald, Chintis Lundgren, Croatia, 2017, 13 min

Saladdin castique, Anssi Kasitonni, Finland, 2018, 6 min

What's On

Wisdom of Happiness Wisdom of Happiness

Barbara Miller, Philip Delaquis

Thursday, 18. 09. 2025 / 18:30 / Small Hall

With disarming wit, the Dalai Lama reflects on balancing millennia-old Tibetan Buddhist traditions with the contemporary values of our globalised society that now struggles to overcome violence and war while standing on the brink of environmental collapse.

Yunan Yunan

Ameer Fakher Eldin

Thursday, 18. 09. 2025 / 19:30 / Main Hall

The Hamburg-based director of Palestinian-Syrian descent places the second instalment of his Homeland trilogy on a small, flood-prone island in the Wadden Sea. This melancholic, mood-driven film about exile and the scars it leaves behind features a charismatic performance by the legendary Hanna Schygulla.

Fiume o morte! Fiume o morte!

Igor Bezinović

Friday, 19. 09. 2025 / 18:00 / Main Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.