Join our favorite monster family as they embark on a vacation on a luxury monster cruise ship so Drac can take a summer vacation from providing everyone else’s vacation at the hotel. It’s smooth sailing for Drac’s Pack as the monsters indulge in all of the shipboard fun the cruise has to offer, from monster volleyball to exotic excursions, and catching up on their moon tans. But the dream vacation turns into a nightmare when Mavis realizes Drac has fallen for the mysterious captain of the ship, Ericka, who hides a dangerous secret that could destroy all of monsterkind.
Hotel Transylvania 3: A Monster Vacation Hotel Transylvania 3: A Monster Vacation
directed by Genndy Tartakovsky, screenplay Michael McCullers, Genndy Tartakovsky, editing Joyce Arrastia, voices Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher idr., producer Michelle Murdocca, distribution in Slovenia Continental film
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Joachim Trier
Monday, 26. 01. 2026 / 15:30 / Main Hall
After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 26. 01. 2026 / 16:45 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
The Devil, Probably Le diable probablement
Robert Bresson
Monday, 26. 01. 2026 / 18:15 / Main Hall
“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.