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Goddess of the Fireflies La déesse des mouches à feu

Anaïs Barbeau-Lavalette / Canada / 2019 / 105 min / French

Let film take you to unfree freedom!

Screenplay Catherine Léger (based on the novel by Geneviève Pettersen), Cinematography Jonathan Decoster, Editing Stéphan Lafleur, Sound Desgin Sylvain Bellemare, Music Mathieu Charbonneau, Production Luc Vandal, Cast Kelly Depeault, Caroline Néron, Normand d'Amour, Élénore Loiselle, Robin L'Houmeau, Noah Parker, Marine Johnson etc.

festivals, awards Berlinale Generation Kplus

IMDb

After her sixteenth birthday, Catherine’s life is turned upside down. At home, she has to deal with her distracted parents, whose only thought is their divorce. She thus spends increasingly more time away from home with her peers, with whom she explores drugs, alcohol, happiness and love. With an exceptional music selection, this adaptation of the eponymous novel by the renowned Canadian writer Geneviève Pettersen depicts a complicated growing up of a rebellious teenager and her friends in the mid-1990s.

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What's On

Dandelion's Odyssey Planètes

Momoko Seto

Thursday, 30. 04. 2026 / 10:00 / Main Hall

Somewhere between computer animation, macro photography, and time-lapse footage, a gentle narrative unfolds about a world after the end of the world.

Last Screening

The Stranger L'étranger

François Ozon

Thursday, 30. 04. 2026 / 15:30 / Main Hall

François Ozon brings to the screen a striking adaptation of The Stranger, the iconic existentialist novel by Albert Camus.

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 30. 04. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.