“Robert Lebeck’s photographs of Romy Schneider are world-famous. They capture this actress’s contradictory nature, her exuberance, melancholy and pain. Lebeck also took the photographs that were to accompany the legendary interview Romy Schneider granted ‘Stern’ magazine reporter Michael Jürgs in Quiberon in 1981 – in spite of her previous negative encounters with the German press. The actress had retired to this Breton spa town to recuperate with Hilde, her close friend of many years, keeping her company. The interview and black-and-white photos form the basis of this film that captures the special atmosphere of these three days in which Schneider bares her soul – to breaking point.”
- Berlinale
3 Days in Quiberon 3 Tage in Quiberon
Photos
What's On
No Other Choice Eojjeol suga eopda
Park Chan-wook
Thursday, 29. 01. 2026 / 15:40 / Main Hall
A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.
Sold Out
Fiume o morte! Fiume o morte!
Igor Bezinović
Thursday, 29. 01. 2026 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
The Voice of Hind Rajab Sawt Hind Rajab
Kaouther Ben Hania
Thursday, 29. 01. 2026 / 18:30 / Main Hall
A harrowing reconstruction of the attempted rescue of a Palestinian girl, intertwining real emergency call recordings with dramatised scenes in a call centre. Winner of the Grand Jury Prize in Venice and nominated for a Golden Globe for Best Non-English Language Film.