“Robert Lebeck’s photographs of Romy Schneider are world-famous. They capture this actress’s contradictory nature, her exuberance, melancholy and pain. Lebeck also took the photographs that were to accompany the legendary interview Romy Schneider granted ‘Stern’ magazine reporter Michael Jürgs in Quiberon in 1981 – in spite of her previous negative encounters with the German press. The actress had retired to this Breton spa town to recuperate with Hilde, her close friend of many years, keeping her company. The interview and black-and-white photos form the basis of this film that captures the special atmosphere of these three days in which Schneider bares her soul – to breaking point.”
- Berlinale
3 Days in Quiberon 3 Tage in Quiberon
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It Was Just an Accident Yek tasadef sadeh
Jafar Panahi
Wednesday, 11. 03. 2026 / 16:15 / Main Hall
A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.
Blum – Gospodari svoje budučnosti Blum – Gospodari svoje budučnosti
Jasmila Žbanić
Wednesday, 11. 03. 2026 / 18:30 / Main Hall
Emerik Blum, born in Sarajevo and, founded Energoinvest in 1951. In doing so, the entrepreneur launched one of the most successful international corporate histories of what was then socialist Yugoslavia. His recipe for success: people, worker self-management, and innovation.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 11. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.