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    • Thursday, 12. 04. 2018

    2nd International Conference on Film Education: Module 5

    11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

    Module 5, Kinodvor
    12:30–13:30 Collection of tickets for participants attending only the afternoon modules at Kinodvor or the Slovenian Cinematheque (at Kinodvor’s box office).
    13:30 Mirjam Kalin – How to Establish a Film Educational Programme in School
    14:15 Ivana Jakobović Alpeza – The Panning Method – Promoting Film Literacy and the Development of Young Audiences through Film Debate Clubs
    15:00–15:15 Coffee break
    15:15–15:45 Robi Kroflič – Educational Work with Film Contents 

    Overall programme of the conference.

    What's On
    Rendez-vous with coffee and talk / Sold Out

    Little Trouble Girls Kaj ti je deklica

    Urška Djukić

    Wednesday, 18. 03. 2026 / 10:00 / Main Hall

    Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
    Documentary Film Festival

    Videoheaven Videoheaven

    Alex Ross Perry

    Wednesday, 18. 03. 2026 / 17:00 / Main Hall

    Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.

    Fiume o morte! Fiume o morte!

    Igor Bezinović

    Wednesday, 18. 03. 2026 / 19:15 / Small Hall

    On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.