The Box Office is open from 15:00 till 20:30 (will open in 06:55).

The Plains The Plains

David Easteal / Australia / 2022 / 178 min / English

The suburbs of Melbourne, 5pm. Every day, a 50-year-old man drives home in peak-hour traffic. Set almost entirely in a car, the film charts the passage of time as the seasons change.

Every day at 5pm Andrew, a middle-aged man working a white-collar job in a community legal centre, drives home through Melbourne’s suburbs. The long commute affords him time to phone in on his ailing mother and his wife, and occasionally offer a lift home to a younger colleague, David. Over a year, their small talk gives way to a warm friendship and open conversation, incrementally revealing their lives. Like many couples, Andrew and his wife have had their ups and downs. Their decision not to have children was “a philosophical choice” that neither regrets. The docu-fiction is based on the director’s shared commutes and conversations with a lawyer colleague.

“The precise dialogue was certainly not scripted, but the shape that it took definitely was scripted, if you can call it that. When I met Andrew, we found out we lived near each other and he would start driving me home, and this is when our intergenerational friendship grew. He would make these calls to his wife and his mother. I conceived that we’d shoot incrementally, but I knew where it was going in terms of the overall arc. I’d work with Andrew and make sure he was comfortable with everything we were going to traverse. There was no rehearsal. We left the film very open.” (David Easteal)

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Madly Follemente

Paolo Genovese

Wednesday, 25. 02. 2026 / 16:00 / Main Hall

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 25. 02. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

It Was Just an Accident Yek tasadef sadeh

Jafar Panahi

Wednesday, 25. 02. 2026 / 18:15 / Main Hall

A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.