After her sixteenth birthday, Catherine’s life is turned upside down. At home, she has to deal with her distracted parents, whose only thought is their divorce. She thus spends increasingly more time away from home with her peers, with whom she explores drugs, alcohol, happiness and love. With an exceptional music selection, this adaptation of the eponymous novel by the renowned Canadian writer Geneviève Pettersen depicts a complicated growing up of a rebellious teenager and her friends in the mid-1990s.
Goddess of the Fireflies La déesse des mouches à feu
Screenplay Catherine Léger (based on the novel by Geneviève Pettersen), Cinematography Jonathan Decoster, Editing Stéphan Lafleur, Sound Desgin Sylvain Bellemare, Music Mathieu Charbonneau, Production Luc Vandal, Cast Kelly Depeault, Caroline Néron, Normand d'Amour, Élénore Loiselle, Robin L'Houmeau, Noah Parker, Marine Johnson etc.
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The Last Viking Den sidste viking
Anders Thomas Jensen
Thursday, 16. 04. 2026 / 15:30 / Main Hall
Mads Mikkelsen stars as John Lennon in this bloody, Scandinavian-style black comedy about two brothers who embark on a journey to find long-buried treasure and discover themselves in the process. “Chiquitita, you and I know…”
Fiume o morte! Fiume o morte!
Igor Bezinović
Thursday, 16. 04. 2026 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Two Prosecutors Dva prokurora
Sergej Loznica
Thursday, 16. 04. 2026 / 18:00 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.