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Soldier Jane Soldate Jeannette

Daniel Hoesl / Austria / 2012 / 80 min

An ode to freedom and a rebellious stance against modern-age materialism. An elliptical experiment, concerned with ideas and form more than fully comprehensible storyline.

Even though the walls are crumbling around Fanni’s opulent lifestyle, one could never tell due to her poker face. No longer moved by the beautiful objects money can buy, Fanni sheds her bourgeois identity and decides to trek her way through the Alpine mountains. She reaches a remote farm and meets Anna, a young woman shackled by circumstances of her own. Anna has had enough of pigs, and Fanni has had enough of money. Opposites attract. 

 »I may be idealistic, but I believe in humankind. I risk sounding prophetic, but I feel our ability to love has gone astray. /.../ We believe in the holy money, the holiness of the Federal Reserve, the communion of banks, the payout of interest and eternal assets. Amen. Instead, let’s bask in the burning inflation. We‘ll sing along and raise our voices as one. We are the mighty ones who have the power to bring down the religion of dollars and cents, pounds and pence. Life will rise like the sun. Like it has for Fanni and Anna.« (Daniel Hoesl)

 

 

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What's On

LIFFe / Kinobalon at LIFFe

Lampie Lampje – de film

Margien Rogaar

Sunday, 16. 11. 2025 / 17:00 / Main Hall

Eleven-year-old Lampie lives by the lighthouse with her father. One day, she is sent to work in the Black House as a punishment, where she meets Edward, a boy with a fish tail. Lampie must decide whether to save her new friend or return to her father.

LIFFe / Avantpremieres

Late Shift Heldin

Petra Volpe

Sunday, 16. 11. 2025 / 19:10 / Main Hall

Relating to the experience of an overworked nurse, Petra Volpe’s drama raises questions about human fallibility and empathy towards healthcare workers pushed to their limits. 

Fiume o morte! Fiume o morte!

Igor Bezinović

Sunday, 16. 11. 2025 / 20:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.