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Main Competition V (2025) Tekmovalni program V (2025)

različni avtorji / various / 74 min

Next Step
Tamás Patrovits (Reanimation Studio)
Hungary, 2025, 5’03”

The film consisting of countless original risograph prints, is an under-the-camera, straight-ahead animation improvised to the rhythm of the scores of the Hungarian percussion group, Amadinda. This animation, as a consistent conceptual work, avoids any sorts of post-digital manipulation.

Fačuk
Maida Srabović (Tetrabot, URGH!, Octopics)
Croatia, Slovenia, 2025, 12’47”

In a God-fearing village lying between two rivers, giving birth to a "fačuk" — an illegitimate child — is a mortal sin. Everyone in the village recoils from the young pregnant woman who is about to give birth at any moment. In this narrow-minded and harsh rural environment, fear grows inside her.

Amarelo Banana
Alexandre Sousa (AIM Creative Studios, CUB Animation)
Portugal, Hungary, 2025, 12’42”

After another night of insomnia, a man comes across a strange community living in his building and discovers the elaborate illusion they have created.

The Prologue
Marzieh Emadi, Sina Saadat (neodvisna/independent)
Austria, 2025, 11’

The Prologue begins, as its name suggests, with heaven, and thus the almost biblical beginning of all beginnings. However, it is a man in work clothes who emerges from the cuboid floating through the air, and not a divine being.

Luna Rossa
Priit Pärn, Olga Pärn (Eesti Joonisfilm, Miyu Productions)
Estonia, France, 2024, 32’38”

He observes. She plays. Forgotten love lingers. The Moon is just a pale witness to it all. Still pale.

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What's On

Hamnet Hamnet

Chloé Zhao

Tuesday, 16. 12. 2025 / 18:20 / Main Hall

Fiume o morte! Fiume o morte!

Igor Bezinović

Tuesday, 16. 12. 2025 / 19:40 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.