“One of the most grippingly brilliant films of the year, featuring, in Cate Blanchett’s mesmerising central turn, perhaps the season’s first truly irreplaceable star performance.”
– Sight & Sound
TÁR TÁR
Lydia Tár is widely considered one of the greatest living composer-conductors. As the first-ever female musical director of a major German orchestra, she is preparing for her much-anticipated live performance of Mahler’s Fifth, while in New York her book Tár on Tár is about to be launched. But on the eve of the big days ghosts from the past begin to shake her all too perfect career…
directed by Todd Field, cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong
festivals, awards Six oscar nominations
IMDbPhotos
What's On
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 06. 10. 2025 / 15:00 / Main Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Wisdom of Happiness Wisdom of Happiness
Barbara Miller, Philip Delaquis
Monday, 06. 10. 2025 / 16:30 / Small Hall
With disarming wit, the Dalai Lama reflects on balancing millennia-old Tibetan Buddhist traditions with the contemporary values of our globalised society that now struggles to overcome violence and war while standing on the brink of environmental collapse.
Mondays
/
Druga godba in Kinodvor
Monk in Pieces Monk in Pieces
Billy Shebar, David Roberts
Monday, 06. 10. 2025 / 17:30 / Main Hall
A music-focused documentary that also features interviews with Björk and David Byrne. Through its mosaic-like structure, it reflects the author’s body of work and reveals her highly original vocabulary of sounds and images.