“One of the most grippingly brilliant films of the year, featuring, in Cate Blanchett’s mesmerising central turn, perhaps the season’s first truly irreplaceable star performance.”
– Sight & Sound
TÁR TÁR
Lydia Tár is widely considered one of the greatest living composer-conductors. As the first-ever female musical director of a major German orchestra, she is preparing for her much-anticipated live performance of Mahler’s Fifth, while in New York her book Tár on Tár is about to be launched. But on the eve of the big days ghosts from the past begin to shake her all too perfect career…
directed by Todd Field, cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong
festivals, awards Six oscar nominations
IMDbPhotos
What's On
New Classmates Novi sošolci
Toni Cahunek
Tuesday, 11. 11. 2025 / 17:30 / Small Hall
Slovenia’s economy relies on workers from Kosovo. But how does society accept their children? The documentary New Classmates explores the background of Kosovar immigration and the challenges their children face integrating into a new country. It highlights the stories of four children of immigrant families and their parents, who face various obstacles due to their ethnic background and limited knowledge of the Slovenian language.
Sold Out
Fiume o morte! Fiume o morte!
Igor Bezinović
Tuesday, 11. 11. 2025 / 19:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Last Screening
Sorry, Baby Sorry, Baby
Eva Victor
Tuesday, 11. 11. 2025 / 20:00 / Main Hall
An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.