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Animateka 2014

Best of the World III (2014) Svetovni jagodni izbor III (2014)

various

Marilyn Myller
Marilyn is trying really hard to make something that is good. For once her expectations and reality are going to align, perfectly. No, it will be even better than she imagined. It will be epic. It will be tear jerkingly profound. It will be perfecter than perfect. Nothing can go wrong.

Horse
Five chapters about horse are cut up.

Heir to the Evangelical Revival
A great number of my forebears fled or emigrated to South Africa because of their religious convictions. French and Flemish Huguenots in the 17th century, English Protestant missionaries and clergy in the 19th century. Though I am atheist-agnostic-apostate I must trace my South Africanism to the religious convictions of my ancestors. The film is an attempt to position myself towards the religious-historical baggage that I inherit.

Man on the chair
“Man on the chair” is tormented and constantly doubts his very own existence. It is merely a picture that I created... Perhaps could I be also an image crafted by others?

1000 Plateaus
Made entirely in the front seat of a car with simple art tools, this short hand-made film celebrates the joy of road maps, travel and jazz music. 

Milk Teeth
The loss of a tooth, combined with a greater loss of a relative, shakes a young boy's world upside down and makes him grow up faster than he would have wished.

Angélique’s Day for Night
When she saw François Truffaut’s La nuit Américaine / Day For Night, Angelique discovered that it was possible to dream up her life.

Black Tape
Based on news and documentary footage of the implications of life under occupation, Black Tape is the second film in the Kranot’s trilogy which started with 2010’s White Tape. In an entangled tango, the victim and the victimiser dance, occupying the frame and the space between brushstrokes as Black Tape explores the theme of domination.

Kicking Rocks
All of a sudden, a boy starts to play hopscotch. It seems like a simple game but it turns out to be much more difficult as he struggles to follow the rules he has made up for himself.

The Labirint
Labyrinth takes place entirely in the cell of a man sentenced to life in prison. This film explores the undermining of the link with time and the reality, thus questioning notions of existence and identity.

The River's Lazy Flow
An old man lingers a moment by the edge of the river. Casting his eyes towards the current, his memories come back to him. He came here with a girl when he was 13…

Déjà-Moo
It could have been a nice Saturday... were it not for a mad cow, a hysteric mother and two ambulance men, who are all good at one thing mainly: Creating chaos. A comedy about a young Berliner in the German Alps, who by a series of confusions ends up in a hospital. A surreal nightmare for our hero, switching between Kafkaesque situations and psychedelic moments.

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What's On

Ungrateful Beings Nevděčné bytosti

Olmo Omerzu

Thursday, 05. 02. 2026 / 18:10 / Main Hall

Slovenian director Olmo Omerzu (Family Film), based in the Czech Republic, returns with an original drama about a family in crisis, infused with subtle humour and unexpected narrative turns. The film had its world premiere in the main competition at the San Sebastián Film Festival.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 05. 02. 2026 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

No Other Choice Eojjeol suga eopda

Park Chan-wook

Thursday, 05. 02. 2026 / 20:30 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.