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Animateka 2014

Best of the World III (2014) Svetovni jagodni izbor III (2014)

various

Marilyn Myller
Marilyn is trying really hard to make something that is good. For once her expectations and reality are going to align, perfectly. No, it will be even better than she imagined. It will be epic. It will be tear jerkingly profound. It will be perfecter than perfect. Nothing can go wrong.

Horse
Five chapters about horse are cut up.

Heir to the Evangelical Revival
A great number of my forebears fled or emigrated to South Africa because of their religious convictions. French and Flemish Huguenots in the 17th century, English Protestant missionaries and clergy in the 19th century. Though I am atheist-agnostic-apostate I must trace my South Africanism to the religious convictions of my ancestors. The film is an attempt to position myself towards the religious-historical baggage that I inherit.

Man on the chair
“Man on the chair” is tormented and constantly doubts his very own existence. It is merely a picture that I created... Perhaps could I be also an image crafted by others?

1000 Plateaus
Made entirely in the front seat of a car with simple art tools, this short hand-made film celebrates the joy of road maps, travel and jazz music. 

Milk Teeth
The loss of a tooth, combined with a greater loss of a relative, shakes a young boy's world upside down and makes him grow up faster than he would have wished.

Angélique’s Day for Night
When she saw François Truffaut’s La nuit Américaine / Day For Night, Angelique discovered that it was possible to dream up her life.

Black Tape
Based on news and documentary footage of the implications of life under occupation, Black Tape is the second film in the Kranot’s trilogy which started with 2010’s White Tape. In an entangled tango, the victim and the victimiser dance, occupying the frame and the space between brushstrokes as Black Tape explores the theme of domination.

Kicking Rocks
All of a sudden, a boy starts to play hopscotch. It seems like a simple game but it turns out to be much more difficult as he struggles to follow the rules he has made up for himself.

The Labirint
Labyrinth takes place entirely in the cell of a man sentenced to life in prison. This film explores the undermining of the link with time and the reality, thus questioning notions of existence and identity.

The River's Lazy Flow
An old man lingers a moment by the edge of the river. Casting his eyes towards the current, his memories come back to him. He came here with a girl when he was 13…

Déjà-Moo
It could have been a nice Saturday... were it not for a mad cow, a hysteric mother and two ambulance men, who are all good at one thing mainly: Creating chaos. A comedy about a young Berliner in the German Alps, who by a series of confusions ends up in a hospital. A surreal nightmare for our hero, switching between Kafkaesque situations and psychedelic moments.

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What's On

Nouvelle Vague Nouvelle Vague

Richard Linklater

Monday, 22. 06. 2026 / 17:45 / Main Hall

Shot in the style of its subject, i.e. in black and white and with little-known actors, Nouvelle Vague looks at the making of Jean-Luc Godard’s iconic debut film, Breathless.

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Arsen Oremović

Monday, 22. 06. 2026 / 20:00 / Main Hall

Third World is more than just a documentary about Haustor, the legendary Zagreb band that left its mark on the former Yugoslavia’s music scene. It is the story of two creative opposites: Darko Rundek and Srđan Sacher. Through candid conversations, a studio reunion, and a wealth of archival material, the film reveals how the two artists’ sensitivity to the magic of everyday life once united their creative worlds – creating a third.

If You Are Afraid You Put Your Heart into Your Mouth and Smile Wenn du Angst hast nimmst du dein Herz in den Mund und lächelst

Marie Luise Lehner

Tuesday, 23. 06. 2026 / 19:00 / Main Hall

This film explores class differences, belonging, human closeness, and the search for identity – from shame to pride. It is a radically tender coming-of-age story accompanied by a wealth of fresh, alternative music.