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Best of the World II Svetovni jagodni izbor II

različni avtorji / 62 min

普通の生活 / Ordinary Life
Yoriko Mizushiri (Miyu Productions, New Deer)
France, Japan, 2025, 9’48”

Ordinary life repeats itself every day while the succession of moments that we repeat over and over again is never the same.

Como si la tierra se las hubiera tragado / As If Swallowed by Earth
Natalia Leon (Xbo films)
France, 2025, 14’

Olivia, a young woman living abroad, returns to her hometown in Mexico in the hope of reconnecting with her past.

Este no es tu jardín / This Is Not Your Garden
Carlos Velandia, Angélica Restrepo (Experimenta)
Colombia, 2025, 12’53”

Rooted in wetlands, páramos and centennial forests at the verge of disappearing, memories and a speculated future collide. 500 years of exploitation, exile and resilience are nourished by a collective pain and a desire to crack through it all.

Autokar
Sylwia Szkiladz (Ozù Productions, Studio Amopix, Vivi Film, Novanima Productions)
Belgium, France, 2025, 17’

In the 1990s, 8-year-old Agata leaves Poland for Belgium. Through her eyes, the reality of migration becomes an initiatory experience.

Bread Will Walk
Alex Boya (National Film Board of Canada)
Canada, 2025, 11’21”

A devoted sister flees with her brother, a benevolent, bread-turned zombie. A mob pursues, mouths agape. Streets twist into mazes, reason dissolves, hunger reigns. Can love defy appetite?

Desi Oon
Suresh Eriyat (Studio Eeksaurus Productions)
India, 2025, 8’02”

The film explores the deep connection between Deccani wool, the land, and its people, highlighting its cultural, spiritual, and ecological significance. It delves into the resilience of the Deccani sheep, the traditions of shepherding, and the sacred role of wool in daily life.

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What's On

Bugonia Bugonia

Yorgos Lanthimos

Friday, 12. 12. 2025 / 15:50 / Main Hall

Hamnet Hamnet

Chloé Zhao

Friday, 12. 12. 2025 / 18:20 / Main Hall

Fiume o morte! Fiume o morte!

Igor Bezinović

Friday, 12. 12. 2025 / 19:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.