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    • Kids Are Fine Aideuleun jeulgeopda

    Lee Ji-won / South Korea / 2021 / 108 min / Korean / 10+

    Based on a webtoon, Lee Ji-Won’s feature debut is a sensitively made, emotional, bittersweet take on life situations through a child’s eyes.

    cast Lee Kyung-hoon, Lee Sang-hee, Yun Gyeong-ho, Gong Min-jeong, Hur Ji-na

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    With an ailing mother and a very busy father, nine-year-old Da-yi knows how to take care of himself, taking on each new day with courage. But because he misses his mum, who has been hospitalised, Da-yi takes a group of friends and his meagre savings and embarks on a journey to see her again…

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    What's On
    Additional Screening

    Materialists Materialists

    Celine Song

    Saturday, 23. 08. 2025 / 20:20 / Main Hall

    Lucy works at a high-end matchmaking company trying to pair up moneyed entrepreneurs with elite bachelors and bachelorettes. When she meets Harry at the wedding of two of her successfully paired clients, she immediately knows that this ‘unicorn’ would be a perfect catch for a lot of her customers. But Harry is more interested in Lucy. And then her ex suddenly shows up… As we could expect from the director of Past Lives, Materialists is not exactly a romantic comedy about a matchmaker torn between two suitors, but rather a lucid examination of the contradictions of love and dating.
    Kinobalon

    Into the Wonderwoods Angelo dans la forêt mystérieuse

    Vincent Paronnaud, Alexis Ducord

    Sunday, 24. 08. 2025 / 17:10 / Main Hall

    10-year-old Angelo dreams of being an adventurer and explorer.
    Rain-Check Screenings

    Mickey 17 Mickey 17

    Bong Joon Ho

    Sunday, 24. 08. 2025 / 19:00 / Main Hall

    Six years after Parasite, Korean director Bong Joon-ho is back with another biting satire (this time set in the distant future) with Robert Pattinson shining in the leading role(s). Its unlikely hero, Mickey Barnes, has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living. »Combining the best parts of Snowpiercer and Okja into something new, this warm and wonderful film suggests that Bong loves people even more than he hates capitalism.« – IndieWire.