»Luzar sets what is primarily a Slovenian milieu study in Austria, located somewhere between the black and white of Miloš Forman's Firemen's Ball and the bitter humour of Ulrich Seidl.«
- Film Festival Cottbus.
Orchestra Orkester
The merry members of a brass band from Slovenia travel by bus to perform in a small Austrian town. They sing, cheer and drink all the way there. Being part of a brass band is a joyful hobby for most members. However, not everything goes as planned… Five distinct stories tell us that hiding one’s actions and intentions is the best way to make them shameful.
cast Gregor Zorc, Gregor Čušin, Jernej Kogovšek, Lovro Lezič, Gaber K. Trseglav
What's On
Rendez-vous with coffee and talk
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Little Trouble Girls Kaj ti je deklica
Urška Djukić
Wednesday, 18. 03. 2026 / 10:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Videoheaven Videoheaven
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.