Youth work actions were an inseparable part of socialist Yugoslavia. Through voluntary work, thousands of young brigadiers, both men and women, have contributed towards developing the country and the realisation of key infrastructure projects such as motorways, railways, bridges, tunnels, factories, residential buildings, schools, hospitals, and parks. One of these projects was the Šamac–Sarajevo railway, built in 1947 in a mere seven months. Young people from Yugoslavia were joined by a number of brigadiers from Italy, Great Britain, Greece, France, Denmark, Sweden, Palestine, and so on.
During the war in the nineties, the railway was damaged. The later Dayton Agreement cut it in two while its vital parts were privatised. The last train on the Šamac–Sarajevo line pulled out in 2011. Today, the rails are often used by people on their way to a better future.
Newsreel 242 – Sunny Railways Obzornik 242 – Sunčane pruge
Photos
What's On
Cut Cut
Amir Naderi
Monday, 13. 04. 2026 / 17:45 / Main Hall
Shuji is a young filmmaker and devoted cinephile. He organises impromptu screenings of classic films on the roof of his apartment block and protests against multiplexes and the industry that is destroying the art of film on the streets of Tokyo. One day, he learns that his brother, who had helped finance his films, has been beaten to death by the Yakuza over unpaid debts. Shuji resolves to repay the debt by working as a human punching bag in the bathroom of the club where his brother was killed.
The Tale of Silyan Prikaznata za Siljan
Tamara Kotevska
Monday, 13. 04. 2026 / 18:15 / Small Hall
Inspired by ancient myths and folk tales, Tamara Kotevska’s film is a moving documentary fairy tale about a farmer and his unique bond with a white stork.
Two Prosecutors Dva prokurora
Sergej Loznica
Monday, 13. 04. 2026 / 20:30 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.