Real estate agent Thomas Hutter is sent to Transylvania for a meeting with Count Orlok, a prospective client, who wants to buy a dilapidated mansion. Meanwhile, Hutter’s new bride Ellen is plagued by ominous visions and an increasing sense of dread… Nosferatu was the near-lifelong dream project of Robert Eggers (The Witch, The Lighthouse): reimagining F.W. Murnau’s 1922 masterpiece Nosferatu: A Symphony of Horror. »A moody, gothic, erotic horror with sharp teeth – grabs you by the throat, takes its time.« – IndieWire. »Lily-Rose Depp and Bill Skarsgard are out of this world.« – The Film Stage.
Nosferatu Nosferatu
In September 1924, one of the greatest masterpieces of the silent era, F.W. Murnau's Nosferatu: A Symphony of Horror, was shown in a cinema on Kolodvorska Street. One hundred years later, Kinodvor presents a new version of the expressionist classic as envisioned by Robert Eggers.
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Little Trouble Girls Kaj ti je deklica
Urška Djukić
Wednesday, 18. 03. 2026 / 10:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Videoheaven Videoheaven
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.