The Box Office is open from 14:30 till 20:20 (will open in 12:36).
From 29 May 2024

Hit Man Hit Man

Richard Linklater / USA / 2023 / 115 min / English

Philosophy professor Gary Johnson moonlights as a hitman for the New Orleans Police Department. Gifted in inhabiting different personalities to catch hapless people hoping to bump off their enemies, Gary descends into morally dubious territory when he finds himself attracted to one of those potential criminals, a beautiful woman named Madison ... 

cast Glen Powell, Adria Arjona

IMDb

Photos

»This genial comedy/noir is a genuine crowdpleaser – funny, sexy, clever and confident in building a low-key humour which hits the target over and over again.«
– Screen Daily 
»An absolute delight.«
– Vox

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Monday, 26. 01. 2026 / 15:30 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 26. 01. 2026 / 16:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

The Devil, Probably Le diable probablement

Robert Bresson

Monday, 26. 01. 2026 / 18:15 / Main Hall

“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.