»Klopčič consolidates cosmopolitan and modernist identities in the city of Ljubljana. He begins his journey On the Sunny Side of the Street and returns, time after time, to Ljubljana the Beloved. He infuses his city in a unique light, bringing the morning mists from Ljubljana’s moors to the heart of the city, and follows the flow of the river, repeatedly returning to Tivoli Park to see if things are as they once were. But most affectionate are his soaring shots overlooking the rooftops of the city, accompanied by a’60s jazz score. Klopčič recreates his city with the medium of light.«
- Stojan Pelko, Matjaž Klopčič: eseji in pričevanja (Slovenska kinoteka, 2012)
On the Sunny Side of the Street Na sončni strani ceste
A street artist fashions paper silhouettes for small change at Ljubljana’s Triple Bridge (Tromostovje). Shot in the heart of architect Jože Plečnik’s Ljubljana, this poetic short film debut by Matjaž Klopčič, one of the foremost voices of Slovenia’s modernist cinema, received Best Director award at Belgrade’s Short and Documentary Film Festival.
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Wisdom of Happiness Wisdom of Happiness
Barbara Miller, Philip Delaquis
Wednesday, 26. 11. 2025 / 13:00 / Main Hall
With disarming wit, the Dalai Lama reflects on balancing millennia-old Tibetan Buddhist traditions with the contemporary values of our globalised society that now struggles to overcome violence and war while standing on the brink of environmental collapse.
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Whites Wash at Ninety Belo se pere na devetdeset
Marko Naberšnik
Wednesday, 26. 11. 2025 / 17:30 / Main Hall
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 26. 11. 2025 / 19:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.