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A Room Of My Own Chemi otakhi

Ioseb 'Soso' Bliadze / Georgia, Germany / 2022 / 107 min / Georgian

Portraying the life of millennials in contemporary Tbilisi, the self-assured, highly authentic film exposes the lasting influence of patriarchal thinking on a section of Georgian society.

Tina is a young woman who has lost her way in life. Unaccustomed to taking care of herself, she usually relies on her partners for support. In Tbilisi, Tina rents a room from the vibrant Megi. She now waits patiently for her boyfriend Beka to join her in Tbilisi. Things don’t go according to plan, however, and thanks to Megi, her complete opposite, Tina starts to discover what it’s like to be free and to be able to make her own decisions without being reliant on men…

“We always knew it’s not a love story. It’s about Tina, who is searching for herself and experimenting with her sexuality. /… / In countries like ours, the society tells women how they should have sex. Tina doesn’t know who she is, so she tries things. First with her husband, then her lover, then Megi. Our society is very judgmental, and these are our naked bodies on screen. But it was our choice, and it was important to do it. To me and Mariam, this sexual encounter felt like a manifesto.”
- Taki Mumladze

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What's On

Anora Anora

Sean Baker

Friday, 11. 07. 2025 / 21:30 / The Ljubljana Castle

Shot in his signature style, Sean Baker’s comedy-drama continues the director’s deeply humanist exploration of social issues. Palme d’Or at the Cannes Film Festival.

The Phoenician Scheme The Phoenician Scheme

Wes Anderson

Saturday, 12. 07. 2025 / 21:30 / The Ljubljana Castle

Wes Anderson’s latest film is coming to Kinodvor straight from its world premiere in Cannes.

Maria Maria

Pablo Larraín

Sunday, 13. 07. 2025 / 21:30 / The Ljubljana Castle

Chilean director Pablo Larraín, known for Jackie and Spencer, returns with the third instalment of his unofficial trilogy about iconic, tragic women of the 20th century. The film imagines the last week in the life of the legendary opera diva Maria Callas as she struggles with the increasingly blurred lines between the celebrated ‘La Callas’ and the vulnerable, fragile Maria.