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A Room Of My Own Chemi otakhi

Ioseb 'Soso' Bliadze / Georgia, Germany / 2022 / 107 min / Georgian

Portraying the life of millennials in contemporary Tbilisi, the self-assured, highly authentic film exposes the lasting influence of patriarchal thinking on a section of Georgian society.

Tina is a young woman who has lost her way in life. Unaccustomed to taking care of herself, she usually relies on her partners for support. In Tbilisi, Tina rents a room from the vibrant Megi. She now waits patiently for her boyfriend Beka to join her in Tbilisi. Things don’t go according to plan, however, and thanks to Megi, her complete opposite, Tina starts to discover what it’s like to be free and to be able to make her own decisions without being reliant on men…

“We always knew it’s not a love story. It’s about Tina, who is searching for herself and experimenting with her sexuality. /… / In countries like ours, the society tells women how they should have sex. Tina doesn’t know who she is, so she tries things. First with her husband, then her lover, then Megi. Our society is very judgmental, and these are our naked bodies on screen. But it was our choice, and it was important to do it. To me and Mariam, this sexual encounter felt like a manifesto.”
- Taki Mumladze

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What's On

Last Screening

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Monday, 23. 03. 2026 / 16:10 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 23. 03. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

My Armenian Phantoms Mes fantômes arméniens

Tamara Stepanyan

Monday, 23. 03. 2026 / 18:30 / Main Hall

An intimate cinematic journey through the history of Armenian film, organically linked to a political, social and cultural world that no longer exists: the Soviet Empire.