Stella is in love with, of all people, someone almost four times her age and has no idea how to tell him. But her older sister Katja’s problem weighs far heavier on her mind. Katja is a talented figure skater and is always busy with school or training. At home she receives almost all of her parents’ attention. Stella barely gets a look in. Stella admires her sister and tries hard to emulate her. The two girls get on well as a rule, but Katja hardly has any time and can sometimes be unexpectedly distant and mean. Stella is the first to realise that something is wrong with her sister and discovers that she is suffering from a severe eating disorder that could kill her. Stella wants to tell their parents but Katja forces her to swear not to. That is far too big a burden of responsibility for a girl of her age. This powerful film describes how Katja’s illness slowly drives the family to the brink of despair.
What's On
Sentimental Value Affeksjonsverdi
Joachim Trier
Monday, 26. 01. 2026 / 15:30 / Main Hall
After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 26. 01. 2026 / 16:45 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
The Devil, Probably Le diable probablement
Robert Bresson
Monday, 26. 01. 2026 / 18:15 / Main Hall
“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.