Stella is in love with, of all people, someone almost four times her age and has no idea how to tell him. But her older sister Katja’s problem weighs far heavier on her mind. Katja is a talented figure skater and is always busy with school or training. At home she receives almost all of her parents’ attention. Stella barely gets a look in. Stella admires her sister and tries hard to emulate her. The two girls get on well as a rule, but Katja hardly has any time and can sometimes be unexpectedly distant and mean. Stella is the first to realise that something is wrong with her sister and discovers that she is suffering from a severe eating disorder that could kill her. Stella wants to tell their parents but Katja forces her to swear not to. That is far too big a burden of responsibility for a girl of her age. This powerful film describes how Katja’s illness slowly drives the family to the brink of despair.
What's On
It Was Just an Accident Yek tasadef sadeh
Jafar Panahi
Wednesday, 11. 03. 2026 / 16:15 / Main Hall
A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.
Blum – Gospodari svoje budučnosti Blum – Gospodari svoje budučnosti
Jasmila Žbanić
Wednesday, 11. 03. 2026 / 18:30 / Main Hall
Emerik Blum, born in Sarajevo and, founded Energoinvest in 1951. In doing so, the entrepreneur launched one of the most successful international corporate histories of what was then socialist Yugoslavia. His recipe for success: people, worker self-management, and innovation.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 11. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.