»Wonderfully sweet and funny film.« – The Guardian. »This rich, frequently hilarious tragicomedy tackles the obstacles facing Iranian women when taking control of their destiny; it captures, with verve and humour, the joy and absurdity of life and death. /…/ A terrific, bittersweet crowd-pleaser.«
– Screen Daily.
My Favourite Cake Keyke mahboobe man
Seventy-year-old Mahin lives alone in Tehran after her husband’s death and her daughter’s departure for Europe, until an afternoon tea with friends leads her to break her solitary routine and revitalise her love life. However, as Mahin opens herself up to a new romance, what begins as an unexpected encounter quickly evolves into an unpredictable, unforgettable evening.
cast Lily Farhadpour, Esmail Mehrabi
IMDbPhotos
What's On
Zejtune Żejtune
Alex Camilleri
Sunday, 06. 09. 2026 / 16:40 / Main Hall
When Mar’s estranged mother passes away, she sees her way out of Malta by selling off her inheritance: three pieces of farmland in the countryside. On her journey to claim her land, she meets Nenu, a spirited 80-year-old għana singer whose vibrant folk music pulls her into the colourful traditions of the island she’s been so eager to escape… Directed by the Maltese-American filmmaker Alex Camilleri (Luzzu).
Third World Treći svijet
Arsen Oremović
Sunday, 06. 09. 2026 / 18:00 / Small Hall
Third World is more than just a documentary about Haustor, the legendary Zagreb band that left its mark on the former Yugoslavia’s music scene. It is the story of two creative opposites: Darko Rundek and Srđan Sacher. Through candid conversations, a studio reunion, and a wealth of archival material, the film reveals how the two artists’ sensitivity to the magic of everyday life once united their creative worlds – creating a third.
Father Mother Sister Brother Father Mother Sister Brother
Jim Jarmusch
Sunday, 06. 09. 2026 / 19:00 / Main Hall
Father Mother Sister Brother is a triptych: three stories about the relationships between adult children and their somewhat distant parents. A series of character studies, quiet, observational, and non-judgmental—a comedy, but interwoven with threads of melancholy. Or, in the words of its American indie auteur, “a kind of anti-action film”. Golden Lion Winner at the last Venice Film Festival.