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Love in the Face of Genocide + Tamburreddhu – Resistenza sonora Salentina Evîn di rûyê qirkirinê de + Tamburreddhu – Resistenza sonora Salentina

Şêro Hindê; Claudio »Cavallo« Giagnotti, Pierluigi de Donno / 2020 / 103 min

Love in the Face of Genocide
In the Sinjar Mountains, the isolated Yazidi community has suffered more than 74 massacres throughout its history, including the atrocious 2014 attack by ISIS. Love in the Face of Genocide explores how the community's songs of love reflect the suffering, religion and cultural differences, and documents how the Yazidis uphold their oral tradition and express love and sorrow through song.

Tamburreddhu – Resistenza sonora Salentina 
Salento is a peninsula in Apulia, the southwestern tip of Italy. This is the birthplace of pizzica pizzica, a traditional dance accompanied by singing and a drum called the tamburreddhu. However, in the last twenty years, with Salento becoming a popular tourist destination, the tamburreddhu has changed. The documentary shows the struggle to preserve the precious instrument, clarifying its difference from the tamburello, a cheap tourist object with no history.

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What's On

Stealing Land Zemljo krast

Žiga Virc

Monday, 20. 04. 2026 / 16:20 / Main Hall

When a children’s game sparks political debates at the dinner table, an evening of absurd conflicts, low blows, and unexpected confrontations begins… This feature-length film is a sparkling, witty social satire in which parents fight not only for a better future for their children, but also for their own egos.

Ten Skies Ten Skies

James Benning

Monday, 20. 04. 2026 / 18:00 / Main Hall

“I’m thinking of my landscape works now as anti-war artworks—they’re about the antithesis of war, the kind of beauty we’re destroying. The Ten Skies works came about because I’m thinking about what the opposite of war is” – James Benning

Last Screening

No Other Choice Eojjeol suga eopda

Park Chan-wook

Monday, 20. 04. 2026 / 20:15 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.