The Box Office is open from 10:00 till 21:40 (open for another 01:17, phone: +386 1 239 22 17).

Screenings

Wednesday, 11. 02. 2026 / 10:00 / Main Hall

Rendez-vous with coffee and talk

Wednesday, 11. 02. 2026 / 15:00 / Main Hall

Rendez-vous with coffee and talk

Asset 1
From 29 December 2024

Conclave Conclave

Edward Berger / United Kingdom, USA / 2024 / 120 min / English

Screenings

Wednesday, 11. 02. 2026 / 10:00 / Main Hall

Rendez-vous with coffee and talk

Wednesday, 11. 02. 2026 / 15:00 / Main Hall

Rendez-vous with coffee and talk

Asset 1
When Cardinal Lawrence takes charge of one of the world’s most secretive and ancient procedures—the selection of a new Pope—he finds himself entangled in intrigues and scandals that could shake the very foundations of the Catholic Church. Academy Award for Best Adapted Screenplay.

cast Ralph Fiennes, Stanley Tucci, Sergio Castellitto, John Lithgow, Isabella Rossellini

IMDb

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What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Sunday, 25. 01. 2026 / 21:40 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 26. 01. 2026 / 16:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

The Devil, Probably Le diable probablement

Robert Bresson

Monday, 26. 01. 2026 / 18:15 / Main Hall

“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.