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Kinotripie – A Short Film Programme (2018) Kinotripčič – program kratkih filmov (2018)

various / 86 min

Let film take you to four sho(r)ts!

Why are gold fish found in a school pool in the middle of an almost too idyllic Japanese town? What will the world of tomorrow be like and how do other people’s thoughts burden us? How difficult is it to go from the comfortable period of childhood to the world of complicated teenage years? What happens when your growing up in Cuba is hindered by unbridgeable intergenerational differences? The answers to these questions can be found in Kinotripie, a programme of short films that can easily measure up to the “long ones”.  

Programme:

And So We Put Goldfish in the Pool
Soushite watashitachi wa pûru ni kingyo o. Makoto Nagahisa, Japan, 2017, 28 min

World of Tomorrow Episode Two: The Burden of Other People's Thoughts
Don Hertzfeldt, US, 2017, 23 min

13+
Nikica Zdunić, Croatia, 2016, 21 min

Hasta siempre, comandante
Attrache Faisal, Cuba / Spain, 2016, 14 min


In cooperation with Kraken Society and the FeKK festival.

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What's On

The Songbirds' Secret Le Secret des mésanges

Antoine Lanciaux

Sunday, 08. 02. 2026 / 14:40 / Main Hall

When 9-year-old Lucie arrives for a vacation in a small town, she has no idea of the adventures ahead. Beautiful paper-cut animation.

Fiume o morte! Fiume o morte!

Igor Bezinović

Sunday, 08. 02. 2026 / 16:30 / Main Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Sorry, Baby Sorry, Baby

Eva Victor

Sunday, 08. 02. 2026 / 19:00 / Main Hall

An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.