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Kala Azar Kala Azar

Janis Rafa / Greece, Netherlands / 2020 / 85 min / Greek

Visual artist Janis Rafa’s dystopic take on different types of relationships between humans and animals saturated with a sense of civilisation on the brink of collapse.

At the margins of a city somewhere in the south of Europe, a young couple start their day with their job routine: collecting deceased pets from homes and taking them to a pet crematorium. Outside of their job’s constraints, they also collect and cremate roadkill found during their drives. In this desolate environment, the couples’ stoic perseverance creates a space through which their love grows until the moment they have a car accident and cause a roadkill themselves…

“Coming from the art world and getting to know the cinematic language through art, I never felt the necessity to tell stories in a linear, clear way. In Kala azar, there is this scene of a band playing a requiem for the chickens, which could easily be a piece of video art. Instead, it became one of the forces driving me to make this film. I had to build up a narrative in order to accommodate it.” (Janis Rafa)

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What's On

Kinobalon / Premiere

Pixie: The New Beginning Skrzat. Nowy początek

Krzysztof Komander

Saturday, 17. 01. 2026 / 16:00 / Main Hall

New in town, 11-year-old Hania is bullied for believing in pixies. She becomes friends with an outsider Michał and a real pixie, Sindri, on a quest to prove their existence. Their journey helps Hania face new beginnings and understand the power of friendship.

The Voice of Hind Rajab Sawt Hind Rajab

Kaouther Ben Hania

Saturday, 17. 01. 2026 / 18:30 / Main Hall

A harrowing reconstruction of the attempted rescue of a Palestinian girl, intertwining real emergency call recordings with dramatised scenes in a call centre. Winner of the Grand Jury Prize in Venice and nominated for a Golden Globe for Best Non-English Language Film.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Saturday, 17. 01. 2026 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.