Introverted 16-year-old Lucia joins the all-girls choir at her Catholic school, where she befriends Ana-Maria, a popular and flirty third-year student. During a weekend retreat at a remote countryside convent for intensive rehearsals, Lucia’s growing fascination with a dark-eyed restoration worker begins to strain her bond with Ana-Maria and the rest of the choir. Amid unfamiliar surroundings and the stirrings of her budding sexuality, Lucia finds herself questioning her beliefs and values. As these new desires emerge, they threaten to disrupt not only her relationships but also the harmony of the choir.
Little Trouble Girls Kaj ti je deklica
Urška Djukić's (Granny's Sexual Life) debut feature explores the power of girls' voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year's Berlinale.
What's On
The Last Viking Den sidste viking
Anders Thomas Jensen
Thursday, 16. 04. 2026 / 15:30 / Main Hall
Mads Mikkelsen stars as John Lennon in this bloody, Scandinavian-style black comedy about two brothers who embark on a journey to find long-buried treasure and discover themselves in the process. “Chiquitita, you and I know…”
Fiume o morte! Fiume o morte!
Igor Bezinović
Thursday, 16. 04. 2026 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Two Prosecutors Dva prokurora
Sergej Loznica
Thursday, 16. 04. 2026 / 18:00 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.