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    • The Traitor Il Traditore

    Marco Bellocchio / Italy, Germany, France, Brazil / 2019 / 145 min / English, Italian, Sicilian

    It's the early eighties; Sicilian mafia bosses are fighting a bitter war for control over the heroin trade. From his hideout in Brazil, mafioso Tommaso Buscetta observes as his relatives at home are killed, knowing he might well be next. When he gets arrested by the Brazilian police and sent back to Italy, Buscetta makes a decision that will forever change the course of Mafia history: he decides to meet with judge Giovanni Falcone and break the vow he gave to the cosa nostra.

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    What's On
    Rendez-vous with coffee and talk / Sold Out

    Little Trouble Girls Kaj ti je deklica

    Urška Djukić

    Wednesday, 18. 03. 2026 / 10:00 / Main Hall

    Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
    Documentary Film Festival

    Videoheaven Videoheaven

    Alex Ross Perry

    Wednesday, 18. 03. 2026 / 17:00 / Main Hall

    Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.

    Fiume o morte! Fiume o morte!

    Igor Bezinović

    Wednesday, 18. 03. 2026 / 19:15 / Small Hall

    On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.