The Box Office is open from 09:00 till 20:30 (open for another 04:03, phone: +386 1 239 22 17).

Memory House Casa de antiguidades

João Paulo Miranda Maria / Brazil, France / 2020 / 92 min / German, Portuguese

João Paulo Miranda Maria’s first full-length film melds past and present, realism and fantasy, to offer a mesmerising symbolic and political immersion into the Brazilian collective subconscious.

Modern day Brazil, but lost in time. Cristovam, an indigenous man from the rural north, moves to a southern town, a strange sort of Austrian colony, to work in a milk factory. Confronted with xenophobic conservative people, he feels isolated and estranged from the white world. He discovers an abandoned house, filled with objects and memorabilia reminding him of his origins. He settles in, reconnecting with his roots. As if this memory house were alive, more objects start to appear. Slowly, Cristovam begins a metamorphosis.

“The film portrays the revolutionary figure of the Northern man who incarnates the spirit of the “Boiadeiro” (Brazilian cowboy). Cristovam seeks revenge to exculpate his sins as he feels responsible for the intolerant society. Through the abandoned house, he connects with his remote past, to animals and his deity, and transforms into both a bull and a cowboy. He is empowered to make his final, great gesture.” (João Paulo Miranda Maria)

João Paulo Miranda Maria
Born in 1982 in Porto Feliz (Sao Paulo), an inland city of Brazil. After studying film in Rio de Janeiro, he created Kino-Olho, a cinema group that aims to film stories and folklore from the Brazilian countryside. Memory House is his first feature film.

 

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 22. 10. 2025 / 17:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Sorry, Baby Sorry, Baby

Eva Victor

Wednesday, 22. 10. 2025 / 18:15 / Main Hall

An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.

Romeria Romería

Carla Simón

Wednesday, 22. 10. 2025 / 20:30 / Main Hall

Catalan director Carla Simón (Alcarràs) once again digs into her family history to craft a story of her parents from a mix of real and imagined memories.