The cinema is temporarily closed for renovations and will reopen after August 2nd.
  • sl en

    • House of Gucci House of Gucci

    Ridley Scott / USA, Canada / 2021 / 158 min / English

    House of Gucci is inspired by the shocking true story of the family behind the Italian fashion empire. When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge and ultimately… murder.

    cast Lady Gaga, Adam Driver, Jared Leto, Al Pacino, Jeremy Irons, Jack Huston, Salma Hayek

    IMDb Official website

    Photos

    All photos

    »A shrewdly divided fable about the way things tend to get cheapened as they grow more lucrative. /…/ Lady Gaga and Jared Leto are brilliantly over-the-top in an epic fashion saga that's in constant conversation with its own campiness.«
    - IndieWire.

    »Scott's best film in years«
    - San Francisco Chronicle.

    Kinodvor. Newsletter.

    Join our mailing list and receive details of upcoming films and events!

    What's On
    Film Under the Stars

    Anora Anora

    Sean Baker

    Friday, 11. 07. 2025 / 21:30 / The Ljubljana Castle

    Shot in his signature style, Sean Baker’s comedy-drama continues the director’s deeply humanist exploration of social issues. Palme d’Or at the Cannes Film Festival.
    Film Under the Stars

    The Phoenician Scheme The Phoenician Scheme

    Wes Anderson

    Saturday, 12. 07. 2025 / 21:30 / The Ljubljana Castle

    Wes Anderson’s latest film is coming to Kinodvor straight from its world premiere in Cannes.
    Film Under the Stars

    Maria Maria

    Pablo Larraín

    Sunday, 13. 07. 2025 / 21:30 / The Ljubljana Castle

    Chilean director Pablo Larraín, known for Jackie and Spencer, returns with the third instalment of his unofficial trilogy about iconic, tragic women of the 20th century. The film imagines the last week in the life of the legendary opera diva Maria Callas as she struggles with the increasingly blurred lines between the celebrated ‘La Callas’ and the vulnerable, fragile Maria.