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Harry Dean Stanton: Partly Fiction Harry Dean Stanton: Partly Fiction

Sophie Huber / Switzerland / 2012 / 77 min

A mesmerizing, impressionistic portrait of the iconic actor comprised of intimate moments, film clips from some of his 250 films and his own heart-breaking renditions of American folk songs. The film explores the actor’s enigmatic outlook on his life, his unexploited talents as a musician, and includes candid scenes with collaborators. The fragile soul of an actor emerges from the poignant collage.

»Harry Dean Stanton and I have known each other for twenty years. There’s something innately enigmatic about him, elusive and incredibly vulnerable, but also just plain funny. Besides his talent as an actor, Harry Dean also possesses the rare quality as a singer, in which one can sense a deep truth in every word. Putting the focus on the music rather than his person helped to engage him and capture a part of him that few people have seen. We wanted to create an atmosphere that is true to Harry, moving along with him, in his mind, at his pace, rather than to follow a linear or biographical order.« (Sophie Huber)

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What's On

Late Shift Heldin

Petra Volpe

Tuesday, 03. 03. 2026 / 20:30 / Main Hall

Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Wednesday, 04. 03. 2026 / 15:00 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 04. 03. 2026 / 16:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.