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From 27 March 2014

The Grand Budapest Hotel The Grand Budapest Hotel

Wes Anderson / United Kingdom, Germany / 2014 / 100 min / German, English, French

Wes Anderson recounts the adventures of Gustave H., a legendary concierge at a famous central European hotel between the World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend and heir. The winner of the Berlinale Silver Bear was inspired both by the work of Stefan Zweig, as well as by the pre-code comedies of the 1930s. The best attended film in Kinodvor’s fifteen years as city cinema.

cast Ralph Fiennes, F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Saoirse Ronan, Jason Schwartzman, Tilda Swinton, Tom Wilkinson, Owen Wilson, Tony Revolori

IMDb Official website

Photos

The opening night film the Berlinale 2014 was inspired both by the work of Stefan Zweig, as well as by the pre-code comedies of the 1930s.

Wes Anderson: Hotel Chevalier

Hotel Chevalier, Paris. Jack Whitman is lying on the bed, leafing through the newspaper. When his phone rings, he surprisingly realizes his ex-girlfriend is coming over. A prologue to Wes Anderson’s feature Darjeeling Limited.

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Sean Baker

Friday, 11. 07. 2025 / 21:30 / The Ljubljana Castle

Shot in his signature style, Sean Baker’s comedy-drama continues the director’s deeply humanist exploration of social issues. Palme d’Or at the Cannes Film Festival.

The Phoenician Scheme The Phoenician Scheme

Wes Anderson

Saturday, 12. 07. 2025 / 21:30 / The Ljubljana Castle

Wes Anderson’s latest film is coming to Kinodvor straight from its world premiere in Cannes.

Maria Maria

Pablo Larraín

Sunday, 13. 07. 2025 / 21:30 / The Ljubljana Castle

Chilean director Pablo Larraín, known for Jackie and Spencer, returns with the third instalment of his unofficial trilogy about iconic, tragic women of the 20th century. The film imagines the last week in the life of the legendary opera diva Maria Callas as she struggles with the increasingly blurred lines between the celebrated ‘La Callas’ and the vulnerable, fragile Maria.