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    • The Music Room Jalsaghar

    Satyajit Ray / India / 1958 / 100 min / Bengali

    Bengal, 1930s. Biswambhar Roy is the last in a long line of wealthy patriarchs. His time has passed, and all he has left are two loyal servants, a horse, an elephant, and a crumbling palace. But even as his family fortune dwindles, Roy refuses to give up the lavish evenings he hosts in his music room. One day, while smoking a hookah on the terrace, he hears celebratory music: his neighbour is celebrating his son’s coming-of-age ceremony. Roy recalls the ceremonial celebration for his own son…

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    Kinobalon

    Tales from the Magic Garden Tales from the Magic Garden

    Leon Vidmar, David Súkup, Patrik Pašš, Jean-Claude Rozec

    Friday, 31. 10. 2025 / 10:00 / Main Hall

    Three kids spend the night at their grandpa’s house. To fill the silence after losing their grandma, the family’s storyteller, they create their own stories and discover the power of imagination. This uplifting stop-motion film celebrates creativity and its healing magic.
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    Fiume o morte! Fiume o morte!

    Igor Bezinović

    Friday, 31. 10. 2025 / 16:00 / Small Hall

    On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

    Sorry, Baby Sorry, Baby

    Eva Victor

    Friday, 31. 10. 2025 / 16:45 / Main Hall

    An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.