It's the 1950s. Anatole Zsa-zsa Korda, an enigmatic industrialist and one of the richest people in Europe, has just survived another assassination attempt (his sixth plane crash). The ruthless businessman is hated not only by his competitors, but also by governments of different ideologies around the world. At the moment, he is in the final stages of the biggest project of his life—the so-called Korda Land and Sea Phoenician Infrastructure Scheme. With it, he aims to stimulate the development of a potentially wealthy region, while securing for himself five per cent of revenues for the next one hundred and fifty years. He decides to appoint a successor: his estranged twenty-year-old daughter Liesl, currently a novice nun ...
The Phoenician Scheme The Phoenician Scheme
Wes Anderson's latest film is coming to Kinodvor straight from its world premiere in Cannes.
cast Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis
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What's On
Little Trouble Girls Kaj ti je deklica
Urška Djukić
Wednesday, 18. 03. 2026 / 15:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Videoheaven Videoheaven
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.