Alain is an editor at a successful publishing company through which his bohemian friend and writer Léonard publishes his novels. Alain's wife Séléna is the star of a beloved television series while Léonard's wife Valérie is the driven politician's assistant. But when Alain rejects Léonard's new work despite their years-long friendship, the already complex relationship between the couples begins to unravel.
Non-Fiction Doubles vies
From French auteur Olivier Assayas (Clouds of Sils Maria) comes this funny, insightful and literary tale of sex, lies and literature in the ever shifting digital world.
festivals, awards Venice 2018, Telluride 2018, Toronto 2018, New York 2018
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Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 26. 01. 2026 / 16:45 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
The Devil, Probably Le diable probablement
Robert Bresson
Monday, 26. 01. 2026 / 18:15 / Main Hall
“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.
No Other Choice Eojjeol suga eopda
Park Chan-wook
Monday, 26. 01. 2026 / 20:20 / Main Hall
A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.