Bypassing making any judgements, the Dardenne brothers raise the pressing question as to whether one should – or even can – still try to persuade the working class to choose solidarity in times when it seems so difficult to afford it. In competition at the Cannes Film Festival.
Igor Bezinović
Monday, 24. 11. 2025 / 18:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Ester Ivakič
Monday, 24. 11. 2025 / 19:45 / Main Hall
Urška Djukić
Tuesday, 25. 11. 2025 / 17:30 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
