Bypassing making any judgements, the Dardenne brothers raise the pressing question as to whether one should – or even can – still try to persuade the working class to choose solidarity in times when it seems so difficult to afford it. In competition at the Cannes Film Festival.
Petra Volpe
Monday, 16. 03. 2026 / 14:50 / Main Hall
Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.
Ivan Ramljak
Monday, 16. 03. 2026 / 17:00 / Main Hall
In 1991, on the outskirts of Tenja, Josip Reihl Kir – the chief of the Osijek Police Department, a man dedicated to negotiations and avoiding war – was assassinated. Peacemaker is a story about the last few months of his life, in the dawn of the bloodthirsty Croatian-Serbian war, which Kir had been trying hard to prevent, told through the statements of a few witnesses and archive materials from the era. Many elements of that assassination still remain unclear.
Igor Bezinović
Monday, 16. 03. 2026 / 19:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
