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The Girl Who Wasn't Afraid of Bears Dekle, ki se ni balo medvedov

različni avtorji / Slovenia, Bulgaria, Hungary, Italy, Croatia / 2026 / 61 min / Slovene, Italian / 10+

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A girl, who was not afraid of the bears Dekle, ki se ni balo medvedov
Lea Vučko, Slovenia / Croatia / Hungary, 2025, 20', Invida
An action-packed, genre-specific western film about coming of age, self-discovery, and finding one's place in the world that surrounds us. The story is inspired by an Albanian folk tale, depicting a girl's journey as she breaks free from traditional patriarchal structures and emancipates herself, gaining true freedom.

Julka
Valeria Cozzarini, Slovenia / Italy / Croatia / Bulgaria, 2025, 11' 35'', Arsmedia
Julka is a Slovenian-speaking eight-year-old girl who has two friends, Danilo and Marko, with whom she is inseparable. Their lives change drastically when the fascist regime bans the use of local and minority languages and begins a period of persecution and oppression. One day, a teacher hears Julka speaking Slovene in class, so he punishes her and uses violence to enforce his excessive nationalism.
The story for the screenplay is based on a short story by the writer Boris Pahor, The Butterfly on the Hook.

Enfant Terrible Nemogoč otrok
Grega Mastnak, Slovenia, 2026, 19'19'', OZOR, zavod za gibljive slike
There is a gaping void in big heads! Which they keep filling with nonsense! 
It is a dark night, everyone is asleep, but a tired father tells his restless son a bedtime story, a legend about the origins of their tribe, a tribe of upright people. The story begins long, long time ago, when people lived very comfortably. Most of the time they did nothing and rested all day. Then a young couple had a child with an unusually large head. Peace was over and time for progress begins ...

Fin People Plavutarji
Veronika Hozjan, Slovenia / Croatia, 2026, 9'42'', Dagiba
A city is flooding. People flee or adapt to the new reality—by plunging into the water and miraculously growing fins. An old shoemaker struggles to carry on his way of life—fishing from the flooded streets the fin people’s discarded shoes. His wife, who suffers in silence watching her husband’s refusal to change, is slowly being seduced by the “siren song” of the fin people’s carefree attitude. As the waters rise, a decision must be made. Will they follow the others? Is there another way?

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