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Cinemini: Abracadabra Cinemini: Abrakadabra

razno / various / 2020 / 16 min / No dialogue / 3+

Film is magic: wishes overcome reality, the world moves in the opposite direction, the impossible is possible, buttons and marbles come to life and go for a walk. Come and do magic with us.

A programme of carefully selected short films from European film archives with guided conversations. The Cinemini European project brings a playful film programme, ranging from tiny stories from the time of our grandparents to interesting films by contemporary artists.

Film programme:

My Happy End My Happy End
Milen Vitanov, Germany, 2008, 5 minutes, no dialogues

Demolition of a wall Démolition d'un mur
Cinématographe Lumière, France, 1896, 2 minutes, silent

The Six Sisters Dainef Les six sœurs Dainef
Pathé Frères (production), France, 1902, 3 minutes, silent

Sally Sally
Luna Maurer, Roel Wouters, Netherlands, 2005, 2 minutes, no dialogues

Caution, the Doors Are Opening! Ostorozhno, dveri otkryvayutsya
Anastasia Zhouravleva, Russia, 2005, 5 minutes, no dialogues

Travelling Through Brush And Ink Bimo xinglü
Annlin Chao, Taiwan , 2017, 4 minutes, no dialogues

The programme is part of the Cinemini Europe education project.

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What's On

Wake Me Zbudi me

Marko Šantić

Friday, 29. 03. 2024 / 18:30 / Main Hall

Wake Me Up is a highly relevant story about xenophobia, collective memory loss and the search for new beginnings. The winner of five Vesna awards, including Best Feature, at the latest Festival of Slovenian Film.

The Eternal Memory La memoria infinita

Maite Alberdi

Friday, 29. 03. 2024 / 19:30 / Small Hall

The story of Paulina’s deep and uncompromising devotion and Augusto’s fierce struggle to preserve his identity is a heartbreaking and inspiring monument to the indestructible power of love. The film by Maite Alberdi (The Mole Agent) was nominated for the Oscar for Best Documentary.

Daaaaaalí! Daaaaaalí!

Quentin Dupieux

Friday, 29. 03. 2024 / 20:30 / Main Hall

The French master absurdist Quentin Dupieux (Mandibles) pays homage to his idol with a playful and unpredictable “non-biography”, which demonstrates that Dalí’s greatest work of art was his personality. Here it is—the caaaaardinal and delicioooooous film that reveals a Dalí never before seen by the public, proving, if there is even need for proof, that Daaaaaalí is probably the only artist on this miserable little planet.