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Black Indians Black Indians

Jo Béranger, Hugues Poulain, Édith Patrouilleau / France / 2018 / 92 min / English

The documentary pays tribute to the American Indian spirits on American soil, as great tribal chieftains do. The film is filled with music, dance and joy, and it takes us to the roots of “call and response”, one of the last remaining traditions of African music culture, which also served as a source of inspiration for jazz.

Photos

In the heart of New Orleans, the tribes of “Black Indians” keep and transmit the African and American Indian tradition that fuses tenacity and spirituality, a sense of music and creativity. During Mardi Gras and on Saint Joseph's Day, they parade in the streets like angels, dressed as American Indians from dreams, with handmade pearl and feather costumes made for them by the whole community throughout the year.

The documentary pays tribute to the American Indian spirits on American soil, as great tribal chieftains do. The film is filled with music, dance and joy, and it takes us to the roots of “call and response”, one of the last remaining traditions of African music culture, which also served as a source of inspiration for jazz. “Mardi Gras was there before jazz, long before Louis Armstrong played his trumpet.” (Chief David Montana) “The most poetical expression of rebellion of the Black Americans against segregation and slavery.” (Reverend “Goat” Carson)

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What's On

Last Screening

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Monday, 23. 03. 2026 / 16:10 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 23. 03. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

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Tamara Stepanyan

Monday, 23. 03. 2026 / 18:30 / Main Hall

An intimate cinematic journey through the history of Armenian film, organically linked to a political, social and cultural world that no longer exists: the Soviet Empire.