The Box Office is open from 12:00 till 20:30 (open for another 04:06, phone: +386 1 239 22 17).

Araby Arábia

João Dumans, Affonso Uchoa / Brazil / 2017 / 96 min / Portuguese

The enigmatically structured, multilayered portrayal of a factory worker Cristiano is a critical, socially engaged examination of the contemporary Brazilian working class.

The enigmatically structured, multilayered portrayal of a factory worker Cristiano is a critical, socially engaged examination of the contemporary Brazilian working class.

Andre, a curious young boy, is growing up close to an aluminium factory in the industrial town of Ouro Preto. Following a fatal accident in the factory, he is sent to the house of the dead factory worker, Cristiano. Next to clean clothing for the deceased, he finds a diary describing the last twenty years in the life of this hard-working man. The film soon turns into a road movie and a dynamic visualisation of Cristiano’s first-person account about the last decade of his tumultuous life.

“Usually, you would see this worker for five minutes and then your life would go on. But here, in the film, by some chance, you fall into this life and when you go deep inside it, you see it is bottomless. All these people we see in our daily lives, they seem very unimportant or common, but if you go inside, a whole world opens.” (João Dumans, Affonso Uchoa)

Affonso Uchoa
Born in 1984 in Contagem, Brazil. The award-winning director achieved international recognition with his second film, The Hidden Tiger.

João Dumans
Born in Belo Horizonte, Brazil. He has participated in various feature films as a producer, editor and screenwriter. He wrote the script for Affonso Uchoa’s The Hidden Tiger.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Sold Out

Whites Wash at Ninety Belo se pere na devetdeset

Marko Naberšnik

Wednesday, 26. 11. 2025 / 17:30 / Main Hall

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 26. 11. 2025 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

New on the programme

Bugonia Bugonia

Yorgos Lanthimos

Wednesday, 26. 11. 2025 / 20:30 / Main Hall