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Animateka 2018

Animateka 2018: Special Opening Screening Animateka 2018: Posebna projekcija ob odprtju festivala

various / 30 min

Róma bukása / The Fall of Rome
Balázs Turai (Boddah/Adriatic Animation)
Hungary, Croatia, 2018, digital, 23'

After the Great War, the few survivors huddle together in the post-apocalyptic paradise of the Dome. There they continue to worry about inflation, interior furnishing and the hordes of mutant frog-people waiting at the gates, eager to devour their children. Despite the danger, the children of Carl venture outside the Dome and confront the Enemy.

Le chapeau / The Hat
Michèle Cournoyer (NFB)
Canada, 1999, digital, 6'

A young woman works as an exotic dancer in a bar. She recalls an incident from her childhood in which she was physically abused by a male visitor. This inner journey brings back painful memories, including the obsessive image of a hat. Black-ink drawings, spare and rapidly executed, flow together in a succession of troubling and striking metamorphoses.

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What's On

It Was Just an Accident Yek tasadef sadeh

Jafar Panahi

Wednesday, 11. 03. 2026 / 16:15 / Main Hall

A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.

Blum – Gospodari svoje budučnosti Blum – Gospodari svoje budučnosti

Jasmila Žbanić

Wednesday, 11. 03. 2026 / 18:30 / Main Hall

Emerik Blum, born in Sarajevo and, founded Energoinvest in 1951. In doing so, the entrepreneur launched one of the most successful international corporate histories of what was then socialist Yugoslavia. His recipe for success: people, worker self-management, and innovation. 

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 11. 03. 2026 / 19:15 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.