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Animateka 2018

Animateka 2018: Special Opening Screening Animateka 2018: Posebna projekcija ob odprtju festivala

various / 30 min

Róma bukása / The Fall of Rome
Balázs Turai (Boddah/Adriatic Animation)
Hungary, Croatia, 2018, digital, 23'

After the Great War, the few survivors huddle together in the post-apocalyptic paradise of the Dome. There they continue to worry about inflation, interior furnishing and the hordes of mutant frog-people waiting at the gates, eager to devour their children. Despite the danger, the children of Carl venture outside the Dome and confront the Enemy.

Le chapeau / The Hat
Michèle Cournoyer (NFB)
Canada, 1999, digital, 6'

A young woman works as an exotic dancer in a bar. She recalls an incident from her childhood in which she was physically abused by a male visitor. This inner journey brings back painful memories, including the obsessive image of a hat. Black-ink drawings, spare and rapidly executed, flow together in a succession of troubling and striking metamorphoses.

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What's On

Stealing Land Zemljo krast

Žiga Virc

Monday, 20. 04. 2026 / 16:20 / Main Hall

When a children’s game sparks political debates at the dinner table, an evening of absurd conflicts, low blows, and unexpected confrontations begins… This feature-length film is a sparkling, witty social satire in which parents fight not only for a better future for their children, but also for their own egos.

Ten Skies Ten Skies

James Benning

Monday, 20. 04. 2026 / 18:00 / Main Hall

“I’m thinking of my landscape works now as anti-war artworks—they’re about the antithesis of war, the kind of beauty we’re destroying. The Ten Skies works came about because I’m thinking about what the opposite of war is” – James Benning

Last Screening

No Other Choice Eojjeol suga eopda

Park Chan-wook

Monday, 20. 04. 2026 / 20:15 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.