The Box Office is open from 15:45 till 20:30 (will open in 10:36).

2nd International Conference on Film Education: Module 4

11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

Module 4, Kinodvor
8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme 
10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film –  Presentation of the ‘Understanding Film Information’ Website 
10:40–11:00 Coffee break
11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
12:00–12:30 Kristina Rešek – Making Films with New Technologies

Overall programme of the conference.

What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Thursday, 22. 01. 2026 / 16:45 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 22. 01. 2026 / 18:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

New on the programme

No Other Choice Eojjeol suga eopda

Park Chan-wook

Thursday, 22. 01. 2026 / 19:30 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.