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    • Thursday, 12. 04. 2018

    2nd International Conference on Film Education: Module 4

    11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

    Module 4, Kinodvor
    8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
    9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme 
    10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film –  Presentation of the ‘Understanding Film Information’ Website 
    10:40–11:00 Coffee break
    11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
    12:00–12:30 Kristina Rešek – Making Films with New Technologies

    Overall programme of the conference.

    What's On
    New on the programme

    Islands Islands

    Jan-Ole Gerster

    Sunday, 21. 12. 2025 / 21:15 / Main Hall

    A sun-drenched neo-noir directed by German filmmaker Jan Ole Gerster, co-written with the recently deceased Slovenian screenwriter and director Blaž Kutin, who also co-wrote Gerster’s previous feature Lara. The film had its gala premiere in the Berlinale Special Gala section.

    Hamnet Hamnet

    Chloé Zhao

    Monday, 22. 12. 2025 / 16:00 / Main Hall

    Chloé Zhao (Nomadland) imagines how a tragedy from Shakespeare’s real life might have inspired the creation of his timeless masterpiece Hamlet. Starring the exceptional Jessie Buckley and Paul Mescal, the film is a moving story about love, loss, and the healing power of art.

    Fiume o morte! Fiume o morte!

    Igor Bezinović

    Monday, 22. 12. 2025 / 17:30 / Small Hall

    On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.