The Box Office is open from 13:50 till 20:00 (will open in 09:34).

2nd International Conference on Film Education: Module 2

11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

Module 2, Kinodvor
12:30–13:30 Collection of tickets for participants attending only the afternoon modules at Kinodvor or the Slovenian Cinematheque (at Kinodvor’s box office).
13:30 Tessa van Grafhorst – Watch, Explore & Create Films with all the Senses. How to Develop a Film Programme for Young Children
14:20 Alejandro Bachmann – The Liberty to See: Experimental Cinema in Film Education
15:00–15:15 Coffee break
15:15–17:00 Alejandro Bachmann – Being a Private Detective in Cinema

Overall programme of the conference.

What's On

Late Shift Heldin

Petra Volpe

Monday, 16. 03. 2026 / 14:50 / Main Hall

Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.

Peacemaker Mirotvorac

Ivan Ramljak

Monday, 16. 03. 2026 / 17:00 / Main Hall

In 1991, on the outskirts of Tenja, Josip Reihl Kir – the chief of the Osijek Police Department, a man dedicated to negotiations and avoiding war – was assassinated. Peacemaker is a story about the last few months of his life, in the dawn of the bloodthirsty Croatian-Serbian war, which Kir had been trying hard to prevent, told through the statements of a few witnesses and archive materials from the era. Many elements of that assassination still remain unclear.

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 16. 03. 2026 / 19:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.