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Animateka 2018

Animateka 2018: Special Opening Screening Animateka 2018: Posebna projekcija ob odprtju festivala

various / 30 min

Róma bukása / The Fall of Rome
Balázs Turai (Boddah/Adriatic Animation)
Hungary, Croatia, 2018, digital, 23'

After the Great War, the few survivors huddle together in the post-apocalyptic paradise of the Dome. There they continue to worry about inflation, interior furnishing and the hordes of mutant frog-people waiting at the gates, eager to devour their children. Despite the danger, the children of Carl venture outside the Dome and confront the Enemy.

Le chapeau / The Hat
Michèle Cournoyer (NFB)
Canada, 1999, digital, 6'

A young woman works as an exotic dancer in a bar. She recalls an incident from her childhood in which she was physically abused by a male visitor. This inner journey brings back painful memories, including the obsessive image of a hat. Black-ink drawings, spare and rapidly executed, flow together in a succession of troubling and striking metamorphoses.

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What's On

New Classmates Novi sošolci

Toni Cahunek

Saturday, 25. 10. 2025 / 18:00 / Small Hall

Slovenia’s economy relies on workers from Kosovo. But how does society accept their children? The documentary New Classmates explores the background of Kosovar immigration and the challenges their children face integrating into a new country. It highlights the stories of four children of immigrant families and their parents, who face various obstacles due to their ethnic background and limited knowledge of the Slovenian language.

Mirrors No. 3 Miroirs No. 3

Christian Petzold

Saturday, 25. 10. 2025 / 19:10 / Main Hall

Christian Petzold once again explores themes of loss, memory, and identity – this time in a mysterious family psychodrama, a modern fairy tale for adults, in which two women try to piece together the fragments of their broken lives.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Saturday, 25. 10. 2025 / 20:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.