Laura, an academic and botanist, has vanished. As two men in love with her haplessly search for clues, the mystery only deepens. The second chapter starts to illuminate the circumstances behind Laura’s disappearance, only to unwrap an entirely new puzzle: this time about two lesbian lovers in the suburbs who seem to be conducting a scientific experiment, secretly raising a mutant creature. Frankenstein comes to mind here and also as a metaphor for the film’s patchwork structure.
Trenque Lauquen: Part 2 Trenque Lauquen, parte II
A story in two parts about an Argentine botanist gone missing. As the two men who felt they knew her best seek out clues to her whereabouts, mysterious events from the past intertwine with the eternal quest for one’s true self.
cast Laura Paredes (Laura), Ezequiel Pierri (Ezequiel 'Chicho'), Rafael Spregelburd (Rafael), Cecilia Rainero (Normita), Julianna Muras (Juliana), Elisa Carricajo (Elisa Esperanza), Verónica Llinás (Romina)
festivals, awards Venice 2022, San Sebastian 2022
What's On
Brightness Yeelen
Souleymane Cissé
Monday, 20. 10. 2025 / 18:00 / Main Hall
A young Bambara man with magical powers sets out on an initiatory journey to escape the murderous rage of his father – a powerful sorcerer jealous of his son’s abilities. Jury Prize at Cannes.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 20. 10. 2025 / 19:20 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Sorry, Baby Sorry, Baby
Eva Victor
Monday, 20. 10. 2025 / 20:30 / Main Hall
An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.