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F@ck This Job F@ck This Job

Vera Kričevskaja / United Kingdom, Germany / 2021 / 104 min / Russian, German, English

A fast-moving impression of the turbulent rise and fall of Russian TV channel Dozhd.

The name means “rain” because its creator—the champagne-loving socialite Natalya Sindeeva—associates rain with freedom. Former business partner Vera Krichevskaya guides us through the story of Natasha and her wealthy husband Sasha. Through archive footage and interviews, we see the fairy-tale beginning, when Natasha saw her dream of an “optimistic channel” come true. But we also see how the state, under Vladimir Putin’s leadership, each year further tightens the thumbscrews on the free-spirited broadcaster.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Saturday, 31. 01. 2026 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Ungrateful Beings Nevděčné bytosti

Olmo Omerzu

Saturday, 31. 01. 2026 / 20:45 / Main Hall

Slovenian director Olmo Omerzu (Family Film), based in the Czech Republic, returns with an original drama about a family in crisis, infused with subtle humour and unexpected narrative turns. The film had its world premiere in the main competition at the San Sebastián Film Festival.

No Other Choice Eojjeol suga eopda

Park Chan-wook

Sunday, 01. 02. 2026 / 11:00 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.